hagz
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Website redesign · Research, IA, UI and build

Café Mystika

A website for a café that runs 8 businesses under one roof. The redesign gives each kind of visitor a clear path to the menu, a booking or a class.

Visit the live site
Role
Solo UX/UI designer and front-end developer
Client
Café Mystika, Valencia, Negros Oriental, Philippines
Timeline
April – October 2026 · shipped 3 October 2026
Platform
Responsive website, mobile-first
Tools
Figma · Astro · Tailwind CSS · Sanity CMS · Vercel
Status
Live
Café Mystika homepage on desktop: a dark hero reading Coffee and Memories, with View our menu and Shop merch buttons
The live homepage at cafemystika.com.

Overview

Café Mystika is a specialty coffee shop in Valencia, Negros Oriental (a province in the central Philippines), founded in 2021 by Angelo Salvoro and Hazel Dagoy. Most people know it for its coffee, but it actually runs 8 lines of business: the café, a quiet study branch, a bistro kitchen, mobile bars for events, its own bean brand and streetwear, espresso machine repair, barista and bartending classes, and café consultancy.

I led the redesign end to end, from owner interviews and wireframes to the production build. The goal was a site where a first-time visitor finds what they came for in 1 or 2 taps, and where the owners can update menus, classes and products without calling a developer.

The problem

The business had outgrown how it presented itself. Customers saw a café; the owners were running a coffee company. 3 problems came out of that gap:

  1. Buried revenue. Mobile bar bookings, machine repair and consultancy are the highest-value services. They were hard to find, so people who needed them often never learned Café Mystika offered them.
  2. Too many paths, no clear next step. Ordering, booking, enrolling and buying each worked differently: Grab (Southeast Asia’s main delivery app) for delivery, Messenger for classes, phone or email for events. Visitors had to work out how to act on their own.
  3. Stale content. Menus, class schedules and products change often. Updates depended on social posts or a developer, so information online fell out of date.

How might we present a multi-service coffee business so each type of visitor reaches their goal quickly, while keeping the warm, street-culture feel of the café?

What the old site showed

The old site made those problems easy to see:

  • No way to act from the homepage. The hero had a headline and a paragraph, but no button. There was no menu in the navigation and no link to Grab.
  • A shop that wasn’t there. The shopping bag in the header opened a “Shop Coming Soon” pop-up, so the beans and streetwear couldn’t be found online.
  • Package cards cut off at the edges. On the Services page, the first and last packages were clipped by the screen edge, and only some prices said how many guests they covered.
  • Placeholder contact details. Customer Service and Wholesale both listed the same placeholder email and phone number, so event and wholesale leads had no real way in.
Old Café Mystika homepage: a dark photo behind the headline Coffee and Memories and a paragraph about the café's mission, with no buttons
1. The old homepage. A headline and a paragraph, but nothing to tap.
Old Café Mystika site with a Shop Coming Soon pop-up covering the services packages
2. The shop led to a "Shop Coming Soon" pop-up.
Old Café Mystika services page: 5 package cards in a row, with the first and last clipped by the screen edge
3. Services: the first and last packages are cut off by the screen edge.
Old Café Mystika contact page: Customer Service and Wholesale cards both listing help@mystika.com and 0905-000-000
4. Contact: both teams list the same placeholder email and phone number.

Research

I used 3 methods, each to answer a different question.

Method What I wanted to learn What I did
Owner interviews What the business needs the site to do 62 sessions with Angelo and Hazel over 7 months. I’m a regular at the café, so most were short in-person check-ins when they had a free moment. We covered goals, revenue mix, recurring customer questions and how they update content today
Customer feedback What visitors look for and where they get stuck Talked to 3 regulars, read the café’s Google reviews, and read the comments people leave on its social media posts
Audit of the old site Where the current experience breaks Mapped every page and call to action, noted dead ends, outdated info and mobile issues

Key insights

  1. People come with 1 job, and it is rarely “learn about the café.” They want to see the menu, order, book an event, or enroll in a class. The site had to route intent, not tell a story first.
  2. Credibility sells the expensive services. The owners are a TESDA National Trainer and Assessor (TESDA is the Philippines’ national skills authority) and a WorldSkills Philippines National Coach. Event clients and café owners trust that more than any adjective, but it was nowhere online.
  3. Customers already live in Grab, Messenger and Facebook. A custom booking or checkout flow would add friction. The better move was to send people to the channel they already use, at the moment they need it.
  4. Owners must be able to update content on their own. If changing a price takes a developer, the site goes stale within weeks.

One regular summed up the old site in a sentence:

“The old site takes me back to 2008. The design was sluggish and old school.”

Users and goals

I grouped visitors by what they came to do rather than by demographics. Each group needed a different entry point and a different final action.

Audience Their goal Where they land Final action
Local regulars and students See the menu, order, find the study branch Home, then Menu Order on Grab, visit
Event planners (weddings, corporate) Book a mobile coffee or cocktail bar Services Message or call to book a package
Aspiring baristas and bartenders Find a class, check dates and seats Classes Enroll through Messenger
Café owners Fix a machine or get business help Services Contact for repair or consultancy
Coffee fans and fans of the brand Buy beans or streetwear Shop Inquire to buy

Information architecture

I organised the site around what visitors come to do, not around how the business is run internally. Each audience gets 1 landing page and 1 clear way to act, and that action happens on a channel customers already use.

Information architecture before and after. Before: Home, About, Services and Blog all lead to 1 Contact page with 1 email and 1 phone, a dead end with no menu, Grab link or booking. After: 5 audiences each land on 1 page and act on a channel they already use. Regulars and students go to Home and Menu, then Grab or a branch visit. Event planners and café owners go to Services, then phone, Messenger or email. Aspiring baristas go to Classes, then Messenger. Coffee and brand fans go to Shop, then Messenger or email. About and Blog sit outside these paths.
Before, every request ended at the same contact page. After, each audience has 1 landing page and 1 channel to act on.

The 4 service lines (mobile bars, machine repair, consultancy, classes) were split across 2 pages by audience: services for businesses and events, and classes for learners. The founders’ story and blog support trust and search, but they stay out of the paths people use to take action.

Key design decisions

1. The homepage routes people instead of telling a story

  • Problem: 8 services competed for attention, and visitors arrived with 1 specific job. The old navigation didn’t even link to the menu.
  • Solution: The hero offers 2 clear actions (View Our Menu, Shop Merch and Beans). Below it, each business area gets a short section with a sample and 1 “View all” button: Shop, Menu, Services. Menu also sits in the main navigation, and the founders’ story moved to its own page.
  • Why: First-time visitors are usually curious about what the café serves, so the menu is 1 tap away from anywhere. The homepage also works as a table of contents for the whole business.
Desktop homepage wireframe in grey: top bar, navigation, the headline Coffee and Memories, and View our menu and Shop merch and beans buttons at the bottom right
Wireframe. The hero's only job is to route: menu first, shop second.
Shipped Café Mystika homepage on desktop: the same layout with a dark storefront photo, gold headline and gold buttons
Shipped. Same structure, with the brand's colour, type and photo.
Mobile homepage wireframe in grey: hours bar, logo and menu icon, centred headline, and 2 full-width buttons Shipped Café Mystika homepage on a phone with full-width View our menu and Shop merch and beans buttons
Mobile wireframe and the shipped page. On phones, both actions become full-width buttons.

2. Credibility as a value proposition, not an “About” paragraph

  • Problem: The strongest selling point, owners who train national competitors, was invisible.
  • Solution: A “Why Café Mystika?” section with 4 numbered reasons. Each ends in a short, bold closing line, such as “You are not drinking from hobbyists. You are drinking from coaches.”
  • Why: It answers “why you and not the café next door” in under 10 seconds of scanning, and it supports the high-value services further down.

3. A Grab button that appears only when you are deciding

  • Problem: Most orders happen on Grab, but a permanent floating button covers content and gets ignored.
  • Solution: A Grab-branded button that appears only while the menu section is on screen. Tapping it lets you pick a branch: Café Mystika for espresso, or Anii, the bistro kitchen.
  • Why: The action shows up at the moment of intent and stays out of the way the rest of the time. It also tells visitors the café delivers, which the old site never mentioned. Picking a branch first stops people from ordering food from the coffee bar.
The Grab button appears once the menu scrolls into view. Tapping it asks which branch to order from.

4. Product browsing driven by scroll on phones

  • Problem: On phones, side-swiping product carousels are easy to miss, and most products never got seen.
  • Solution: On mobile, the shop row sticks under the navbar and moves sideways as you scroll down, then releases. On desktop it becomes a grid. With reduced motion turned on, it falls back to a normal swipeable row.
  • Why: On phones, people flick quickly through long pages. A row that moves sideways while they scroll down breaks that rhythm and makes them look, and it’s an interaction that sets the site apart. Every product gets seen without asking the user to discover a hidden gesture, and motion-sensitive users are respected.
  • Still to prove: I haven’t yet watched people use it. Scroll-driven motion can feel like the page is taking control, so it’s first on the list for usability testing.
Scrolling down moves the shop row sideways, so every product passes through view.

5. Classes show availability before asking for commitment

  • Problem: Would-be students had to message just to find out whether a class was running.
  • Solution: Course cards show category, level, dates, time, price and seats left. Courses can be marked “always open,” and they close automatically once their date has passed. Enrolling goes straight to Messenger.
  • Why: It answers the questions that used to arrive as DMs, and the “only 5 seats per session” detail is real scarcity, not a sales trick.

6. Use the real menu boards, made readable

  • Problem: The café’s menu boards were the source of truth, and retyping them as HTML would drift out of sync.
  • Solution: The menu shows the actual boards as images, uploaded through the CMS, with a lightbox for zooming on phones.
  • Why: 1 source of truth that staff already maintain, and it reads like the physical café.
  • The trade-off: The café sells far too many items to retype by hand, but images can’t be read by screen readers, search engines or translation tools. It’s the biggest compromise on the site, and the next step is a real text menu, for readability and for search.

Visual design system

The brand brief from the owners was “where the street’s raw energy meets a cozy corner.” I turned that into a dark, chalkboard-and-espresso palette with 1 warm accent, and a type system that mixes street signage with a bookish serif.

Token Value Role
Void #191B1A Page background, like a dark café at night
Slate #252928 Alternating section surfaces for rhythm
Gold #C9922A The only accent: calls to action, labels, highlights
Chalk #F0EDE6 Primary text, like a chalkboard menu
Rust and Sage #7A3E1A, #4A5E48 Supporting tones for categories and badges
  • Type: Bebas Neue for headlines (street signage), Fraunces for body (warmth, craft), Space Mono for labels and prices (the precision of a barista’s recipe card).
  • Components: About 30 reusable components, including Button, Badge, SectionHeading, MerchCard, ClassesCard, ServiceCard and MenuBoard. Every page is built from the same parts, so new pages stay consistent.
  • Texture and motion: A 3% film-grain overlay, oversized faded words behind sections (“SHOP”, “MENU”, “SERVE”), and short slide-up reveals. All of it is decorative and none of it blocks content.
Typography sheet: Café Mystika in tall Bebas Neue capitals with Mystika in glowing gold, cozy at heart in gold Fraunces italic with body text below, and small Space Mono labels such as View menu, a ₱139 price and Fan fave
Type: Bebas Neue for headings, Fraunces for body, Space Mono for labels and prices.
Colour kit: a row of 5 near-black surfaces, a row of golds from deep to pale plus rust, a row of chalk white to dark greys, and 2 sage greens
Colour: dark surfaces, 1 gold accent in 3 tints, chalk and greys for text, rust and sage for categories.
Component sheet: gold filled, gold outline and grey outline buttons, each in 3 states; small badges such as In stock, New and 01 / Menu; and social, merch and menu cards shown in their default state and their hover state with a gold border or gold underline
Buttons in 3 styles and 3 states, badges, and cards in default and hover states.
More card states in pairs: a 5-star review card, a menu row for Spanish Latte at ₱139, a story timeline card and a Mobile bar service card with an Inquire now button, each shown plain and then with a gold border or underline on hover
Every card has a hover state: a gold border or underline, never a colour change to the content itself.

Building it

Because I designed and built the site myself, I could make design decisions that only hold up if the build supports them.

  • Sized to the business. A small café shouldn’t carry monthly software bills. Sanity’s free plan and pages built ahead of time mean the owners pay no subscriptions, only what it takes to keep the site online, and I priced the build for where the business is today. If it grows, each part can move to a paid plan without a rebuild.
  • The owners as users too. I set up Sanity CMS with 8 content types: menu boards, products, courses, mobile bar packages, testimonials, blog posts, baristas and authors. Fields match how the owners think, for example “Seats Available,” “Always Open” and “Manually Closed” on a course. They update the site from their phones without me.
  • Accessibility. Every image has descriptive alt text, though the menu boards’ items and prices are still only in the photos (see the trade-off above). Motion respects reduced-motion settings, buttons are labelled for screen readers, and the anchor offset keeps headings clear of the fixed navbar.
  • Performance on mobile data. Images are resized for each screen width, and CSS is inlined to stop Safari from flashing unstyled content. Pages are rendered ahead of time and served from Vercel’s edge network.
  • Being found. Each page has its own title, description and share image for Facebook and Messenger previews, plus a sitemap, canonical URLs and a custom 404 page. Most local discovery happens through shared links.

Working with the client

Working with Hagil Tan on Cafe Mystika’s website was a great experience. He was professional, collaborative, and open to understanding our vision as a brand. What I appreciated most was his willingness to listen to our ideas, communicate throughout the process, and translate our vision into a website that represents Cafe Mystika’s identity.

Hagil approached the project with a positive attitude, creativity, and a genuine commitment to the work. He was easy to work with, receptive to feedback, and focused on finding ways to bring our ideas to life. His contribution helped us strengthen our online presence and create a digital platform where people can learn more about Cafe Mystika and what we stand for.

I would recommend Hagil to businesses and individuals looking for someone who values collaboration, understands the importance of a brand’s identity, and takes the time to bring a project together.

Angelo Salvoro, Co-Founder, Café Mystika

I shaped the new design side by side with the owners, mostly in person. Every suggestion was heard out, and we weighed its pros and cons before deciding. Between sessions I sent progress updates online, on the social media channels the owners already use every day.

  • Feedback I took: a photo gallery for each product. Angelo asked for a gallery for his merch. I had assumed 1 photo per item was enough, which was my blind spot as the only designer and developer on the project. Products now show several photos.
  • Feedback I pushed back on: “simple and clean.” Angelo first asked for a simple, clean website. But his brand on social media is bold, loud and street style, and a minimal site would have contradicted it. We went with the dark, high-contrast design described above instead.

Outcomes and reflection

The redesign launched on 3 October 2026 at cafemystika.com. It has 10 pages, all 8 business lines have a findable home, and the owners now manage their own content.

Before the redesign, weekly visitors were growing about 20%. In the first week after launch, they grew 60%, measured with Vercel Analytics. It’s 1 week of data, so I’m watching whether the rise holds.

What I would do next

  • Replace the menu board images with a real text menu, for screen readers and search.
  • Test the scroll-driven shop row with real users before keeping it.
  • Run moderated usability tests with 5 people from the audiences above, for example “book a mobile bar for a wedding of 80 guests.”
  • Track which call to action each audience uses, so I can check whether routing by intent actually works.
  • Add a simple inquiry form for mobile bars. Event planners shouldn’t have to leave the site to get a quote.

What I learned

  • Design the information architecture before the screens. Most of the value came from deciding where each service lives, not how it looks.
  • Meet users in the tools they already use. Sending people to Grab and Messenger beat building custom flows they would have to learn.
  • The client is a user too. A CMS shaped around the owners’ vocabulary is what keeps a small-business site alive after launch.
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